• All
  • Drawing
  • drawing
  • drawing
  • Painting

Domenico Baccarini – Selfportrait

Domenico Baccarini Faenza 1882–1907 Self-Portrait 1903 Pen on paper, 170 x 135 mm Signed and dated lower right: “D Baccarini 1903”       The uninterrupted series of self-portraits carried out by Domenico Baccarini constitutes a substantial visual diary of his brief life. A common thread firmly links private sphere with artistic research, the tension…

Carlo Albacini – Bust of Virgil

Carlo Albacini (Fabriano 1734? - Rome 1813) Bust of Virgil; 1790 ca.; marble, h. 58 cm

Medardo Rosso – Birichino or Gavroche

Medardo Rosso (Turin 1858 - Milan 1928) Birichino or Gavroche; 1887-88; bronze, h. 13.8 cm; with base 29.7 cm

Agostino Cornacchini – Apollo in the Guise of a Swan Awakening Eros from Sleep

Agostino Cornacchini (Pescia 1686 – Rome 1754) Apollo in the Guise of a Swan Awakening Eros from Sleep; 1714-27 ca.; terracotta with slipware (ingobbiatura), cm 32 x 68 x 51

Vincenzo Gemito – Mask of a Young Lad (Scugnizzo)

Vincenzo Gemito (Naples 1852 – 1929) Mask of a Young Lad (Scugnizzo); 1870-72 ca.; terracotta with slipware (ingobbiatura); 18,8 x 14,4 x 10,3 cm

Ludovico Zambeletti – Selfportrait

Ludovico Zambeletti (Milan 1881-1966) Selfportrait 1900 ca. Oil on canvas, 65.3 × 42 cm Signed lower left: “L. Zambeletti”

Francesco Hayez – Study of a Sitting Female Figure in Profile with Renaissance Costume and of a Detail of Hands Holding a Letter

Francesco Hayez (Venice 1791 – Milan 1882) Study of a Sitting Female Figure in Profile with Renaissance Costume and of a Detail of Hands Holding a Letter; 1850-60 ca.; Black and brown pencil, white lead, chalk on grey primed paper, 48 x 33 mm  

Josè Aparicio – Portrait of Giuseppe Maria Ferdinando Dal Pozzo

Josè Aparicio (Alicante 1773 – Madrid 1838), Portrait of Giuseppe Maria Ferdinando Dal Pozzo, 1810, oil on canvas, 105 x 87 cm Signed and dated at center left: “J. Aparicio f. Roma 1810”

Johannes Lingelbach – Popular life in Piazza del Popolo

Johannes Lingelbach (Franckfurt am Mein 1622 - Amsterdam 1674), Popular life in Piazza del Popolo, 1660 ca., oil on copper, cm 60 x 82, provenance: lawyer Giorgio Balella collection, Rome; Antiquario Costantini, Rome; private collection, Rome, bibliography: Busiri Vici 1959, pp. 48-49, tav. VIII, 1-2; Burger-Wegener 1976, p. 240, cat. 36; Die holländischen Gemälde 1992, p. 254, nota…

Anton von Maron – Ritratto di Thomas Jenkins

Anton von Maron (Vienna 1731 – Roma 1808), Ritratto di Thomas Jenkins (1722-98), olio su tela, 86 x 65 cm, 1775-80 circa, iscritto, in basso a sinistra: Thomas Jenkins Esquer [sic] Rome, provenienza: Londra, Colnaghi, 1960 circa; Lucca, collezione Hugh Honour Three particularly interesting points converge in the portrait being introduced here once again: stylistic, historical,…

Francesco Hayez – Study of a Head, Hands and Drapery of a Female Figure with Renissance Costume

Francesco Hayez (Venice 1791 – Milan 1882) Study of a Head, Hands and Drapery of a Female Figure with Renissance Costume; 1850-60 ca.; Black and brown pencil, white lead, chalk on grey primed paper, 33 x 24,5 mm

Francesco Hayez – Model of the Triumphant Athlete for the Concorso Canova, also called of the Anonymous, of 1813

Francesco Hayez (Venice 1791 – Milan 1882) Model of the Triumphant Athlete for the Concorso Canova, also called of the Anonymous, of 1813; 1813; oil on canvassed paper, 61,5 x 49,5 cm; provenance: private collection

Antonio Sant’Elia – Project for a Cemeterial Building

Antonio Sant’Elia (Como 1888 – Monfalcone 1916) Project for a Cemeterial Building; 1911; Penn, colored pencil on tracing paper, 420 x 283 mm ; Dated lower right: “1911”; on the backside Caproni stamp and signature of Timina Caproni (wife of Giovanni, founder of the Caproni industry)

John Deare – Venus Caresses Cupid who Holds a Butterfly

John Deare (Liverpool 1759 – Rome 1798) Venus Caresses Cupid who Holds a Butterfly; 1789; Pen, black ink on paper, mm 276 x 304; Signed, located anda dated lower right: “J. Deare – June – 1789 – Rome” Provenance: Lucca, Hugh Honour collection;

Placido Costanzi – Narcissus at the Fount

Placido Costanzi (Rome 1702 – 1759) Narcissus at the Fount  1735-40 ca.; oil on canvas, 132 x 97 cm. Provenance: private collection  

Ermenegildo Luppi – Pietà

Ermenegildo Luppi (Modena 1877-1937) Pietà 1925 ca. Terracotta, (height) 43 x 56 x 26; positioned on its original wood rotatable pedestal, total height 156 cm Provenance: Italy, private collection

Salvatore Fergola – Aurora Observed in Naples on October 17, 1848 from the Osservatorio Reale of Capodimonte

Salvatore Fergola (Naples 1796 – 1874), Aurora Observed in Naples on October 17, 1848 from the Osservatorio Reale of Capodimonte, oil on canvas, 44 x 72,3 cm , 1848, Signed and dated lower right: S. Fergola 17 Õbre 1848 Provenance: private collection, Rome

Jean Léon Gérome – Portrait of a Young Roman Lady

Jean-Léon Gérôme (Vesoul, 1824 – Paris, 1904) Portrait of a Youg Roman Lady on the Background of Villa Borghese, Seen from Muro Torto, 1844, oil on canvas, 59 x 49 cm Signed, dated and localized lower left: “Rome 1844 / JL. Gérôme”, private collection

Leopold Kiesling – The Genius of the Arts Unveiling Nature as Isis – Diana of Ephesus

Leopold Kiesling (1770 Schönleben near Liebenau, Upper Austria – 1827 Vienna) The Genius of the Arts Unveiling Nature as Isis – Diana of Ephesus, 1808-1809, marble with bronze inserts (attribuited to Wilhelm Hopfgarten and Benjamin Ludwig Jollage), 140cm high, provenance: Count Ferdinand Palffy de Erdoed (1774-1840), in 1821; Prince Johann II von Liechtenstein (1840-1929), Palazzo…

Anton Raphael Mengs – Double Portrait of Archdukes Ferdinand (May 6, 1769 – 1824) and Maria Anna (April 21, 1770 – 1809) of Habsburg-Lorraine

Anton Raphael Mengs (Aussig, Boemia 1728- Roma 1779) Double Portrait of Archdukes Ferdinand (May 6, 1769 - 1824) and Maria Anna (April 21, 1770 - 1809) of Habsburg-Lorraine 1770-1771, olio su tela, cm 105 x 75, Galleria Palatina, Palazzo Pitti, Florence

Pio Fedi – Rape of Polyxena

Pio Fedi (1816 Viterbo -1892 Florence), Rape of Polyxena, 1855 ca., sketch model in terracotta for the Loggia dei Lanzi group in Florence, mounted on a wooden pedestal with reliefs in black lacquered plaster, 41.5 high, base 62.5 cm, Galleria d’Arte Moderna, Palazzo Pitti, Florence

Ferruccio Ferrazzi – Orizia at the Mirrors

Ferruccio Ferrazzi (Rome 1891-1978) Orizia at the Mirrors, 1925, oil on canvas, 92,5 x 71 cm, private collection

Pierre-Paul Prud’hon – Monument to Clement XIV by Canova in the Basilica dei Santi Apostoli

Perre-Paul Prud’hon (1758 Cluny, Saône-et-Loire – 1823 Paris) Monument to Clement XIV by Canova in the Basilica dei Santi Apostoli, 1787, oil on canvas, 90 x 60 cm, Paris, Musée du Louvre

Johann Heinrich Wilhelm Tischbein – Paris

Johann Heinrich Wilhelm Tischbein(Haina 1751  – Eutin 1829), Paris, 1787ca., oil on canvas, 63 x 49.7cm, (pendant with the painting of Helen), Chicago, The Art Institute

Umberto Mastroianni – Composition

Umberto Mastroianni (Fontana Liri 1910 – Marino 1998), Composition,  1968, bronze and iron, 103 cm high, private collection

Carlo Albacini – Copy of the Pudicitia Mattei (Vatican)

(1734 Fabriano – 1813 Rome) Copy of the Mattei Pudicitia (Vatican) Second half of eighteenth century Carrara marble, 120cm high Private collection

Alberto Tipa: Saint Sebastian

Alberto Tipa (Trapani 1732-1783) Saint Sebastian, 1760 ca. Alabaster, height cm 53 Switzerland, private collection

Alberto Tipa: Saint Michael Archangel

Alberto Tipa (Trapani 1732-1783) Saint Michael Archangel, 1760 ca. Alabaster, height 53 cm Switzerland, private collection

Giovanni Battista dell’Era – Group Portrait in a Garden

Giovanni Battista dell’Era (Treviglio 1765 – Florence 1799) Group Portrait in a Garden, 1787-1788 Brownish ink pen, brownish watercolor, lead white, pencil traces, 435 x 550 mm

Francesco Monti: Two Studies of Male Nude

Francesco Monti (Bologna 1685 – Brescia 1768) Two Studies of Male Nude, 1740 ca. Charcoal and White chalk on paper, 420 x 280 mm ciascuno Collezione privata