Galileo Chini Florence 1873-1956 Self-Portrait 1933 Oil on panel, 60 × 50 cm Signed at bottom: “GALILEO.CHINI.PIT.CER.FIORENTINO.1933” Provenance: Finarte, Rome, 28-29 April 1987; Farsetti, Prato, 10 October 1997; Rome, private collection A long way from the decorativism of a Secessionist stamp with which he passed the first decades of the twentieth century, reaching high levels of Liberty and Déco expression, in this self-portrait, with…
Mirko (Basaldella) Udine 1910-Cambridge, Mass. 1969 Portrait of Leoncillo 1953/54 Iron, 51,5 × 24,5 × 18 cm (with the plynth h 67 cm) Exhibition label on the back: “33” Provenance: Rome, private collection; Rome, Ovidio Jacorossi collection; Rome, private collection Bibliography: Barbara Tiberi, in Dal Simbolismo all’Astrazione. Il primo Novecento a Roma nella collezione Jacorossi, edited by Enrico Crispolti, Rome 2017, pp. 140-141. Exhibition: Rome, Musia, 1 dicembre 2017 – 1 gennaio 2018, Dal Simbolismo all’astrazione. Il primo Novecento a Roma nella…
Arturo Noci Rome 1874–New York 1953 Girl in profile 1916 Pastel on paper, 54 × 50 cm Signed and dated top left: “Arturo Noci 1916” Bibliography: M. Fagiolo dell’Arco, P. Spadini, L. Djokic (ed. by), Arturo Noci: un pittore tra Roma e New York 1874-1953, Rome 1996, p. 106, no. 196; M. Carrera, Arturo Noci (1874-1953) tra Roma e New York: dal…
Luigi Trifoglio Rome 1888-1939 Portrait of the Surgeon Gino Pieri 1931 Oil on canvas, 130.5 × 109.5 cm Signed: “Trifoglio Roma 1931” Bibliography: Gino Pieri, “Luigi Trifoglio ritrattista di medici”, in Nicia. Rivista medica d’arte e varietà, A. X, n. 7-8, Milano 1940, pp. 5-9 (ill.); “Un ritrattista di medici Luigi Trifoglio”, L’artista moderno. Rivista d’arte pura e applicata, 1942, pp. 11-12 (ill.). Interpreter of the return…
Gerardo Dottori (Perugia, 1884-1977) Portrait of the Futurist Poet Alberto Presenzini Mattoli Pencil and pastels on paper The practice of drawing – in pencil, pen, Indian ink, pastels and even with a biro – was for Gerardo Dottori a constant throughout his long artistic career. Within this technique cum language, the portrait has a privileged…
Guglielmo Janni (Rome 1882-1958) Fragment (Sacred Composition) Circa 1939 Oil on canvas affixed to panel, 38.5 × 27.5 cm Inscription on the back: Head Print: This painting is the work of the painter Guglielmo Janni. (In marker pen) circa 1930 / In faith: / Libero de Libero / Romeo Lucchese / Alberto Ziveri / Rome,…
Carmine Tripodi (Oppido Mamertina (Reggio Calabria)1899–Rome 1970) Perseus Circa 1935 Boxwood, h 55.5 cm Signed at base: “C. Tripodi” Provenance: Rome, private collection Regularly present at national exhibitions, at the Società degli Amatori e Cultori di Belle Arti, the Biennale Meridionale in Bari, the Mostra d’arte decorativa in Monza and the Venice Biennale, in…
GIOVANNI DAVID (Cabella 1743 – Genoa 1790) Episode of Ancient History 1780 ca. White and yellow tempera, grey and brownish watercolor, black ink pen, 210 x 320 mm Provenance: Rome, private collection
Salvatore Fergola (Naples 1799-1874) Grotta Bonea at Cava dei Tirreni Circa 1830 Oil on canvas, 20.2 × 16 cm Signed on back of canvas, in pen: “Fergola” Provenance: Rome, private collection Among the canonical destinations of nineteenth century landscape painting in Naples, the cave Grotta Bonea is situated on the route that led to the famous and agreeable sanctuary of Avvocatella near Cava, and was considered a picturesque subject due to the presence of wild, rocky terrain, ancient ruins…
Pelagio Palagi (Bologna 1775-Turin 1860) Album of 32 views of Rome and surroundings, taken from life with ideal reconstructions of ancient buildings circa 1806 Album of 30 sheets, of which 29 drawn in pen and brown ink with traces of pencil, two also drawn on the back and one in pencil, 238 × 377 mm each Provenance: England, private collection The genre of drawing from life of Roman vedute boasts a centuries-long tradition among the artists of diverse…
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