Giuseppe Barberi – Sepulchre of Ptolemy

  Giuseppe Barberi (Rome 1746-1809) Sepulchre of Ptolemy 1780-1790 circa Traces of pencil, pen and gray and brown ink watercolor on white paper, framed on blue paper, 280 x 403 mm Entitled in pen, lower left: “Sepolcro di Tolomeo”; numbered top right: “22”   Triumph site with ruined arches 1780-1790 circa Traces of pencil, pen…

David: presentation

Giovanni David – Birth of the Virgin

Giovanni David (Cabella 1743 – Genoa 1790) Birth of the Virgin 1784-1785 Black ink pen, polychrome watercolors, tempera on paper, 507 x 485 mm Provenance: Rome, private collection Executed in pandant with Presentation of the Virgin at the Temple, it is presumably the presentation drawing for the commission of the Birth of the Vergin for…

Zecchin - credenza

Vittorio Zecchin – Credenza (sideboard), bench

Vittorio Zecchin (Murano 1878–1947) Credenza (Sideboard) 1920-1923 ca. Black lacquered oak wood with purpura arabesque engravings, 110.5 x 137.5 x 52 cm Provenance: Brescia, Mirko Lupezza collection.     Bench 1920-1923 ca. Lacquered and painted wood piece of furniture, 148 x 134 x 56 cm Bibliography: I. de Guttry, M.P. Maino, M. Quesada, Le arti…

Troubetzkoy: autoritratto

Paolo Troubetzkoy – Gabriele D’Annunzio

Paolo Troubetzkoy Intra 1866 – Suna 1937 Gabriele D’Annunzio 1911 Bronze, lost wax, with dark patina, 43 x 31 x 32 cm Signed and dated at base: “Paul Troub[…] 1911”; foundry stamp: “C. Valsuani Cire Perdue” Provenance: Italy, private collection The long-lasting friendship between D’Annunzio and Troubetzkoy, witnessed by their meetings, correspondence and a poetical…