Giuseppe Cades Rome 1750 –1799 Pope Gregory the Great delivers the Benedictine Rule to Saints Constantine and Simplicius • Oil on canvas, 64 × 78 cm
Lorenzo Bartolini Savignano di Prato 1777 – Florence 1850 La Donati • 1846 ca. Carrara marble, height 97.5 × 40.5 × 22.5 cm
French Painter of the Circle of Barbus of the School of David Ultimo decennio XVIII secolo The Fight Between Horatii and Curiatii • 1798-99 ca. Oil on canvas, 127 × 159.5 cm The painting, unfinished, is linked to the teachings of Jacques-Louis David, as reveals the figure from behind in the foreground, inspired to the…
Giorgio de Chirico Volos 1888 – Rome 1978 Still life with Grape and Peaches • 1934 Oil on canvas, 27 × 41 cm Signed lower right: “G. de Chirico”; on the backside of the canvas signature in pen: “Giorgio de Chirico” On the backside of the frame, upper from left to right: Galleria “Vittorio E…
Pasquarosa (Pasquarosa Marcelli) Anticoli Corrado 1896 – Camaiore 1973 Landscape • 1964 Oil on canvas, 38.3 × 48 cm Signed and dated lower left: “Pasquarosa 64”
Giacomo Quarenghi Rota d’Imagna, Bergamo 1744 – Saint Petersburg 1817 Countryside with rural buildings • 1800 ca. Pen and grey watercolor ink on paper, 143 × 200 mm
Mario de Maria known as Marius Pictor Bologna 1852-1924 Study for the frontispiece Three ancient dances for piano by Gian Francesco Malipiero • 1910 Black and brown ink pen, grey and brownish watercolor, white lead, blue tempera on Havana paper, 410 x 300 mm Signed and dated lower left: “MPictor 1910”
Francesco Podesti Ancona 1800 – Rome 1895 Stamura set fire to the imperial siege engines in Ancona in 1174 • 1877 Drawing, black pencil, warercolor and white chalk on hazelnut paper on canvas, within its original frame, 630 x 750 mm Inscribed lower right: “Stamura” Bibliography: Marco Fabio Apolloni, Anna Rita Podesti, scheda, in Francesco…
Isabella Ducrot Naples 1931 Blue Vase with Red Flowers • 2022 Pigments and collage on Japan paper, 100 x 78 cm Signed and dated lower right “Isabella Ducrot 2022”
Richard Hicks Bridgens Birmingham 1785 – Port of Spain, Trinidad 1846 An execution in Rome for murder, Mastro Titta awaits the condemned on the gallows • 1820 Penna e acquerelli su carta, mm 215 x 200 Disegno preparatorio per l’incisione all’acquatinta pubblicata a Londra nel 1820