Vanni Rossi Ponte San Pietro, Bergamo 1894-Milan 1973 Self-Portrait 1922 Oil on canvas, 44,7 × 34,5 cm Signed and dated lower right: “V. Rossi 1922” Provenance: Milan, private collection Considered the last Lombard Divisionist, due to acquaintance in his youth with Alberto Grubicy de Dragon, who also supported him as a patron, with Carlo Fornara and participation in the Divisionist Group at the first Rome…
Piero Marussig Trieste 1879-Pavia 1937 Interior with Masks (and Self-Portrait) 1925 Oil on panel, 49.8 × 44.9 cm Signed: “P. Marussig” Provenance: Padua, private collection Bibliography: Alessandra Tiddia, Pietro Marussig, Trieste, 2015, cat. 410. Internationally trained painter, Marussig studied in Vienna, Munich, Rome and Paris and took part in all the most important collective exhibitions of his time in Italy and abroad. Influenced by the Jugendstil –…
Irene Valentini Sala (Milan 1864-1934) Two Young Guitar Players 1932 Oil on plywood, cm 130,3 × 100,3 Signed and dated lower left: “I. Valentini Roma 1932.X” Provenance: Rome, private collection
Elica Balla Rome 1914-1995 Inspiration 1941 Oil and sand on panel, 78 × 60 cm Signed bottom right: “ELICA BALLA”. Titled and dated on the back: “Inspiration / Spring 1941” Provenance: Italy, private collection Like his sister Luce, Elica carried in her name the futurist blessing of their father Giacomo, who in 1914, the year of her birth, introduced…
Lombard Anonymous (First Half of 19th Century) Portrait of a Young Man Pastel on paper, 555 × 450 mm Provenance: Milan, private collection
Galileo Chini Florence 1873-1956 Self-Portrait 1933 Oil on panel, 60 × 50 cm Signed at bottom: “GALILEO.CHINI.PIT.CER.FIORENTINO.1933” Provenance: Finarte, Rome, 28-29 April 1987; Farsetti, Prato, 10 October 1997; Rome, private collection A long way from the decorativism of a Secessionist stamp with which he passed the first decades of the twentieth century, reaching high levels of Liberty and Déco expression, in this self-portrait, with…
Mirko (Basaldella) Udine 1910-Cambridge, Mass. 1969 Portrait of Leoncillo 1953/54 Iron, 51,5 × 24,5 × 18 cm (with the plynth h 67 cm) Exhibition label on the back: “33” Provenance: Rome, private collection; Rome, Ovidio Jacorossi collection; Rome, private collection Bibliography: Barbara Tiberi, in Dal Simbolismo all’Astrazione. Il primo Novecento a Roma nella collezione Jacorossi, edited by Enrico Crispolti, Rome 2017, pp. 140-141. Exhibition: Rome, Musia, 1 dicembre 2017 – 1 gennaio 2018, Dal Simbolismo all’astrazione. Il primo Novecento a Roma nella…
Arturo Noci Rome 1874–New York 1953 Girl in profile 1916 Pastel on paper, 54 × 50 cm Signed and dated top left: “Arturo Noci 1916” Bibliography: M. Fagiolo dell’Arco, P. Spadini, L. Djokic (ed. by), Arturo Noci: un pittore tra Roma e New York 1874-1953, Rome 1996, p. 106, no. 196; M. Carrera, Arturo Noci (1874-1953) tra Roma e New York: dal…
Luigi Trifoglio Rome 1888-1939 Portrait of the Surgeon Gino Pieri 1931 Oil on canvas, 130.5 × 109.5 cm Signed: “Trifoglio Roma 1931” Bibliography: Gino Pieri, “Luigi Trifoglio ritrattista di medici”, in Nicia. Rivista medica d’arte e varietà, A. X, n. 7-8, Milano 1940, pp. 5-9 (ill.); “Un ritrattista di medici Luigi Trifoglio”, L’artista moderno. Rivista d’arte pura e applicata, 1942, pp. 11-12 (ill.). Interpreter of the return…
Gerardo Dottori (Perugia, 1884-1977) Portrait of the Futurist Poet Alberto Presenzini Mattoli Pencil and pastels on paper The practice of drawing – in pencil, pen, Indian ink, pastels and even with a biro – was for Gerardo Dottori a constant throughout his long artistic career. Within this technique cum language, the portrait has a privileged…
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