Felice Giani (San Sebastiano Curone, Alessandria 1758 – Rome 1823) 1800-1810 circa Samson destroying the Philistine Temple Black ink pen, brownish ink watercolor on paper 520 x 405 mm Inscribed lower center: “Sansone”
Giovanni David (Cabella 1743 – Genoa 1790) Birth of the Virgin 1784-1785 Black ink pen, polychrome watercolors, tempera on paper, 507 x 485 mm Provenance: Rome, private collection Executed in pandant with Presentation of the Virgin at the Temple, it is presumably the presentation drawing for the commission of the Birth of the Vergin for…
Vittorio Zecchin (Murano 1878-1947) Angel 1927 Polychrome and golden leaf gilded vitreus tesserae mosaic on wood panel, 315 x 60 cm Provenance: Brescia, Villa Perlasca, from the mosaic decoration of the chapel
Vittorio Zecchin (Murano 1878–1947) Credenza (Sideboard) 1920-1923 ca. Black lacquered oak wood with purpura arabesque engravings, 110.5 x 137.5 x 52 cm Provenance: Brescia, Mirko Lupezza collection. Bench 1920-1923 ca. Lacquered and painted wood piece of furniture, 148 x 134 x 56 cm Bibliography: I. de Guttry, M.P. Maino, M. Quesada, Le arti…
Giulio Bargellini Florence 1875-Rome 1936 Study for Idyll (Self-Portrait) 1892-95 Oil on canvas, 21 × 38 cm Signed lower centre: “Giulio Bargellini” Provenance: Rome, heirs of the artist; Rome, Galleria dell’Emporio Floreale, 1982; Rome, private collection Bibliography: Pasqualina Spadini, Opere inedite di Giulio Bargellini: oli-pastelli-carboncini-studi di architetture e progetti per mosaici dal 1890 al 1936,…
Giuseppe Piccone (Albisola Superiore, 1912 – Albissola Marittima, 1960) Boxeur 1930-35 ca. Provenance: Lombardy, private collection Wood, black paint, cm h. 120 x 82 x 39.5 cm Of the Boxeur by the Ligurian Giuseppe Piccone are known two versions, different for dimensions and pose of the figure. This specimen, the bigger in size, sculpted in…
Alberto Martini (Oderzo 1876-Milan 1954) Vanitas with Self-Portrait c 1920 Pastel on paper, 54 × 46 cm Signed “AM ALBERTO MARTINI” Provenance: Padua, private collection Alberto Martini, the great imaginative designer and symbolist illustrator, who interpreted with aristocratic dandyism the figure of decadent artist, later recognised as precursor of surrealism, also experimented with more accurate and realistic visions in…
PIETRO BENVENUTI, attributed to (Arezzo 1769-Florence 1844) Portrait of the sculptor Ferdinando Pelliccia (Carrara 1808-1892) in the Carrarese academic uniform with the models of the Cyparissus and the Creation of Adam 1835 circa Oil on canvas, 72 x 58 cm Provenance: Italy, private collection
Giannino Marchig (Trieste 1859-1933) Portrait of the Painter Gino Parin (pseudonym of Federico Guglielmo Jehuda Pollack, Trieste 1876- Bergen-Belsen concentration camp, Germany 1944) Circa 1920-25 Oil on panel, 44,8 × 47.7 cm Signed top left: “GINO PARIN ESEGUITO DA GIANNINO MARCHIG” Provenance: Italy, private collection Enfant prodige, Marchig trained in the complex and cosmopolitan Trieste of the early twentieth century at the ateliers of Gino Parin and…
Vanni Rossi Ponte San Pietro, Bergamo 1894-Milan 1973 Self-Portrait 1922 Oil on canvas, 44,7 × 34,5 cm Signed and dated lower right: “V. Rossi 1922” Provenance: Milan, private collection Considered the last Lombard Divisionist, due to acquaintance in his youth with Alberto Grubicy de Dragon, who also supported him as a patron, with Carlo Fornara and participation in the Divisionist Group at the first Rome…
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