Marino Marini Pistoia 1901-Viareggio1980 The Pregnant / Ersilia • 1930 Olio on panel, 77 Ă— 60 cm Signed lower right, in pen: “M Marino 30” Backseide, study of a figure in tempera; label of galleria La Bussola, Turin Work catalogued at the Fondazione Marino Marini, Pistoia Exhibtions: Venezia, XVII Biennale Internazionale d’arte, 1930; Turino, Marino…
Mario Restelli Milan 1861-1961 Monkey Mask • 1928 Bronze on marble base, 22 × 22 x 12 cm Signed and dated on the backside: “Restelli 1928”
Fausto Pirandello Rome 1899-1975 Portrait of Virgilio Guzzi • 1937 Oil on panel, 66 Ă— 48,5 cm Signed lower right: “Pirandello” Provenane: Rome, Virgilio Guzzi collection; Exhibitions: Artisti Moderni alla Galleria del Secolo, Rome, Galleria del Secolo, 1945; Guzzi e Pirandello, Trieste, Galleria Michelazzi, 1947; Fausto Pirandello (1899-1975), Rome, Galleria Nazionale d’Arte Moderna, 1976-1977; Fausto…
Emanuele Cavalli Lucera 1904-Florence 1981 Figure with M.L. (Maria Letizia) • 1968 Oil on panel, 90,3 Ă— 70 cm Signed lower right: “E. Cavalli”; signed, dated and titled on the backside: “E. Cavalli/FIGURA con M.L.”, “1962”; stamps of Galleria F. Russo; Russo Centro d’Arte La Barcaccia. Â
Emanuele Cavalli Lucera 1904-Florence 1981 Portrait of the Mathematician Mary Catherine Bishop Weiss (Wichita, Kansas 1930 – Chicago 1966) • 1961 Oil on canvas, 70.5 Ă— 87 cm Signed and dated upper right: “E. Cavalli”; firmato e datato sul retro: “E. Cavalli/1961”; sul telaio: “E. Cavalli – luglio 1961” Exhibtions: Emanuele Cavalli: mostra antologica, Florence,…
Giannino Marchig Trieste 1897-Vandoeuvres 1983 Resting female model on red and blue sofa • 1930 Oil on canvas, 75 × 59.5 cm Signed and dated upper right: “1930/giannino/Marchig” Dedicated on the frame: “a Giovanni Ghetti/con cordiale amicizia/Gianni Marchig/dicembre 1971”
Francesco Podesti Ancona 1800-1895 Dispute over the Immaculate Conception Dogma (sketch for the decoration of the Hall of the Immaculate Conception in the Vatican) • 1856 ca. Oil on cardboard, 40 × 30 cm
Francesco Podesti Ancona 1800-1895 Glorification of the Virgin (sketch for the decoration of the Hall of the Immaculate Conception in the Vatican, unrealized scene) • 1856 ca. Oil on cardboard, 40 × 30 cm
Alberto Martini Oderzo, Treviso 1876-Milan 1954 The Dance of Salome • 1921 Pen and brownish ink on paper, 319 × 239 mm Signed, dated and monogrammed lower right: “ALBERTO MARTINI AM 1921” Titled center: “SALÓME”
Giulio Bargellini Florence 1875-Rome 1936 Maternity • 1892 Tempera, watercolor, pencil on cardboard, 33 × 18.4 cm
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