Giacinto Diano Pozzuoli 1731 – Naples 1803 Presentation of Jesus at the Temple («macchia» for the canvas in the left Cappellone of the church of Santa Maria Incoronatella della Pietà dei Turchini in Naples) • 1780-81 Oil on canvas, 101,5 x 69,5 cm
Adolfo De Carolis Montefiore dell’Aso 1874 – Rome 1928 Study for male nude on the left tympanum of Aemilius for Palazzo del Podestà in Bologna • 1911-12 Oil on canvas , 60,5 x 77 cm Selected bibliography for Palazzo del Podestà: Pel salone del Podestà, Lettera al direttore, in “Il resto del Carlino”, 15 novembre…
Johan Christian Dahl Bergen 1788 – Dresden 1857 View of Vesuvius erupting (“The Small and the Big Crater on Vesuvius”) • 1821 Oil on paper applied on canvas, cm 28.5 × 42 Provenance: identifiable with “The Small and the Big Crater on Vesuvius” donated by Dahl to Professor Teodoro Monticelli in Naples in January 1821…
Portrait of a Thirty-five-year-old Canon Regular of the Lateran 1546-1550 circa Oil on panel, 18.8 x 14.8 cm Inscribed on the back of the panel: Anno natiuitatis sue [sic.] XXXV”; lower down in ink with a different calligraphy: “Characa” This charming panel painting, radiant in colour scheme and in excellent condition, portrays a young Canon…
Gianfranco Ferroni Livorno 1927 – Bergamo 2001 Still life with hanging rag • 1980 Pencils on photographic paper, 240 × 178 mm
Umberto Cuzzi Parenzo, Istria 1891 – Turin 1973 Progetto per il Chiosco della Penna Aurora: pianta, prospetto frontale e laterale • 1928 Matita, matite colorate su carta avana, 226 × 284 mm Bibliografia: Ezio Godoli, Città, architettura e ambientazioni, in Futurismo 1909-1944 arte, architettura, spettacolo, letteratura, pubblicità, catalogo della mostra, Roma, Palazzo delle Esposizioni, a…
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a sailor from behind for Amore: discorso primo • 1923 Charcoal on brown paper, 332 × 220 mm Signed and dated lower left: “L. Dudreville, / 923”
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a man at the balustrade for Amore: discorso primo • 1923 ca. Charcoal and white lead on grey paper, 253 × 125 mm Signed lower center: “L. Dudreville”
Giovanni Costetti Reggio Emilia 1874 – Settignano 1949 Portrait of Emil Zoir (Göteborg 1867 – 1936) • 1892 Tempera, watercolor and black ink on olive green paper, 253 × 165 mm Titled and signed upper left: “PEINTRE Emile Zoir / G Costetti f.”
Francesco Podesti Ancona 1800 – Rome 1895 Bathsheba in the bath • 1830 ca. Graphite and brush ink on paper, 208 × 290 mm Signed lower left: “Francesco Podesti”
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