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Fabrizio Galliari (Andorno Micca (Biella) 1709 – Treviglio 1790) Vestibule in front of the Temple of Jupiter • 1762 matita, penna e acquerello su carta, studio di quadro scenico per Arianna e Teseo, dramma per musica su libretto di Francesco Pariati, musica di Giuseppe Ponzo, rappresentato al Regio Ducal Teatro di Milano nel 1762-1763, c9…
Luis Serrano (Madrid 1953) Apple • 2022 Oil on canvas, 25×25 cm
Luis Serrano (Madrid 1953) Nails • 2022 Oil on canvas, 40×35 cm
Luis Serrano (Madrid 1953) Knife • 2022 Oil on canvas, 40×30 cmÂ
Ernesto Lapadula (Pisticci 1902 – Rome 1968) Two project variants for a seaside villa in Monterosso alle Cinque Terre 1935 Pencil and colored pencil on paper, 295 x 392 mm Inscribed and signed lower right: Monterosso 23 sett 35 / lapadula Before graduating in 1931 under the guidance of Marcello Piacentini, Lapadula began his professional…
Carlo Scarpa (Venice 1906 – Sendai 1978) Chandeliers Sketches for M.V.M. Cappellin Manufacture, Murano 1926-28 circa graphite and watercolor on paper, 31.5 x 21.5 cm Carlo Scarpa’s collaboration with M.V.M. Cappellin began in 1926, even before he finished his studies and represents the first important episode in the Venetian architect’s career. In the glassmaker…
Carlo Scarpa (Venice 1906 – Sendai 1978) Projectual study of the floor plan of Casa Veritti in Udine 1955 Pencil and colored pastels on paper, 706 x 161 mm within original wood and glass assembly by Carlo Scarpa Signed and dated, with the inscription running from right to left: “Villa Veritti in Udine 17.XI.1955 disegnato…
Ferruccio Ferrazzi (Roma 1891-1978) The Horse Track in Villa Borghese Oil on canvas, 73 x 102 cm Signed and dedicated lower right: ‘A Sigfrido Olivieri con schietta amicizia Ferruccio Ferrazzi)
Vittorio Zecchin (Venice 1878 -1947) Boat’s wheels of Romagna 1915-20 ca., lean oil on panel, 63 x 63 cm Inscribed and signed backside: Timoni / Romagnoli / V. Zecchin
Achille Funi (Ferrara 1890-Appiano Gentile 1972) Self-Portrait 1942 Watercolour and pencil on paper, 380 Ă— 310 mm Signed bottom left: “A. Funi” Exhibition labels on the back of the original mount: Galleria del Milione, Milan, 1942, 3069/3; Galleria dei Serpenti, Rome; Finarte, Rome, 1984. Provenance: Rome, private collection After the experience of Futurism, filtered through CĂ©zanne and Cubism, he adheres to the general Return…
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