Antonio Basoli – Ancient Scenic Perspective
Antonio Basoli Castel Guelfo 1774 – Bologna 1843 Ancient scenic perspective with doric colonnade and exedra • 1800-10 circa Pencil, pen, gray ink watercolour, colored watercolors on paper, 730 x 955 mm
Antonio Basoli Castel Guelfo 1774 – Bologna 1843 Ancient scenic perspective with doric colonnade and exedra • 1800-10 circa Pencil, pen, gray ink watercolour, colored watercolors on paper, 730 x 955 mm
Renato Marchisio (Marchese) (documented in the 1950’s) Five studies for the exhibiting pavilion of the Moto Guzzi in the Fiera Campionaria of Rome Guzzi) • 1952 ca. Tempera and photomontage on paper, 440 x 646 mm Provenance: Rome private collection
Alberto Peschi (Macerata 1915-1983) Portrait of Sante Monachesi (1910-1991) • 1942 Tempera and pastels on paper, 270 x 210 mm Signed and dated lower right: “Peschi Alberto / 1942 . sett XX
Gigi Chessa (Turin 1898-1935) Study for the Martinazzi Orangeade Advertising . 1930 ca.. Pencil, tempera and watercolor on paper, 485 x 351 mm
Giovan Battista Dell’Era (Treviglio, 1765 – Florence, 1799) Roman Naumachia China Ink and watercolor on paper, 630 x 970 mm 1795 circa Corteo trionfale nell’antica Roma China Ink and watercolor on paper, 630 x 970 mm 1795 circa
Ubaldo Oppi (Bologna 1889-Vicenza 1942) Modern Man 1915-18 ca. Pencil and charcoal on paper, 378 x 268 mm Signed lower left: OPPI Milan, Galleria del Milione, 1930; Novara, MEB Arte Studio, 2014
Antonio Zucchi (Venice 1726-Rome 1795) Conversation piece 1781 ca. Brownish ink water-color, white lead on paper, 190 x 280 mm Provenienza: Italia, collezione privata
Carlo Labruzzi (Rome 1748-Perugia 1817) Ruins of the Mausoleum of Gallienus 1789 pencil and water-color on paper, 415 x 542 mm Provenance: Italy, private collection
Carlo Labruzzi (Rome 1748-Perugia 1817) Recto: Villa of Domitian at Castel Gandolfo Verso: verso: Study for the Sepulcrum of Favio Nauta near Fondi pencil and water-color on paper, 415 x 542 mm Provenienza: Italy, private collection
John Ruskin (attr.) (Londra 1819-Brantwood 1900) Palace Bevilacqua in Verona by Sanmicheli, seen from the medieval courtyard of the church of San Lorenzo 1850 ca. Red ink pen, blu ink water-color on brownish paper, 273 x 405 mm Inscribed upper left: Renaissance
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