Alberto Martini Oderzo, Treviso 1876-Milan 1954 The Dance of Salome • 1921 Pen and brownish ink on paper, 319 × 239 mm Signed, dated and monogrammed lower right: “ALBERTO MARTINI AM 1921” Titled center: “SALÓME”
Anselmo Bucci Fossombrone 1887 – Monza 1955 Portrait of Mario Broggi (Milano 1890 – Somma Lombardo, Varese 1952) • 1928 Pencil, black and grey ink pen, watercolours, on paper, 505 × 605 mm Signed, titled and dated lower right: “BUCCI / 1928 / Mario Broggi / 12 – XII – 928 – VII”
Giulio Aristide Sartorio Rome 1860-1932 Ex-Libris Onorato Carlandi • 1895 ca. Charcoal, smudge on paper, 313 × 293 mm Inscribed lower: “EX LIBRIS ONORATO CARLANDI”
Giulio Aristide Sartorio Rome 1860-1932 Anatomical study of a horse (study for a self-portrait on horseback) • 1905 ca. Tempera, oil, white lead, charcoal on paper, applied on canvas, 400 Ă— 420 mm Bibliography: L. Serra, Giulio Aristide Sartorio pittore animalista, Torino 1914, tav. 14; P.A. De Rosa, P.E. Trastulli (a cura di), Giulio Aristide…
Giulio Aristide Sartorio Rome 1860-1932 Sphinx / Scylla and Charybdis • 1890-95 ca. mixed technique on prepared paper, 290 x 300 mm GAS monogram at bottom left Bibliography: Scilla e Cariddi. Pubblicazione dell’Associazione della Stampa Periodica Italiana a beneficio del Patronato Regina Elena per gli orfani del terremoto, Roma 1909, illustrato al quarto di copertina;…
Cagnaccio di San Pietro (Natalino Bentivoglio Scarpa) Desenzano del Garda 1897 – Venice 1946 Portrait • 1930 ca. Pencil on paper, 520 x 369 mm Firmato e datato in basso a destra: “Cagnaccio di San Pietro”
Mario de Maria known as Marius Pictor Bologna 1852-1924 Study for the frontispiece Three ancient dances for piano by Gian Francesco Malipiero • 1910 Black and brown ink pen, grey and brownish watercolor, white lead, blue tempera on Havana paper, 410 x 300 mm Signed and dated lower left: “MPictor 1910”
Francesco Podesti Ancona 1800 – Rome 1895 Stamura set fire to the imperial siege engines in Ancona in 1174 • 1877 Drawing, black pencil, warercolor and white chalk on hazelnut paper on canvas, within its original frame, 630 x 750 mm Inscribed lower right: “Stamura” Bibliography: Marco Fabio Apolloni, Anna Rita Podesti, scheda, in Francesco…
Richard Hicks Bridgens Birmingham 1785 – Port of Spain, Trinidad 1846 An execution in Rome for murder, Mastro Titta awaits the condemned on the gallows • 1820 Penna e acquerelli su carta, mm 215 x 200 Disegno preparatorio per l’incisione all’acquatinta pubblicata a Londra nel 1820
Vincenzo Gemito Naples 1852 – 1929 The Prophet • 1916 Pencil, watercolor, brownish watercolored ink, 410 x 275 mm Signed and dated lower left: V. Gemito 1916
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