Gianfranco Ferroni – Still life with hanging rag
Gianfranco Ferroni Livorno 1927 – Bergamo 2001 Still life with hanging rag • 1980 Pencils on photographic paper, 240 × 178 mm
Umberto Cuzzi – Project for the Aurora Pen Kiosk
Umberto Cuzzi Parenzo, Istria 1891 – Turin 1973 Progetto per il Chiosco della Penna Aurora: pianta, prospetto frontale e laterale • 1928 Matita, matite colorate su carta avana, 226 Ă— 284 mm Bibliografia: Ezio Godoli, CittĂ , architettura e ambientazioni, in Futurismo 1909-1944 arte, architettura, spettacolo, letteratura, pubblicitĂ , catalogo della mostra, Roma, Palazzo delle Esposizioni, a…
Leonardo Dudreville – Study of a Sailor
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a sailor from behind for Amore: discorso primo • 1923 Charcoal on brown paper, 332 × 220 mm Signed and dated lower left: “L. Dudreville, / 923”
Leonardo Dudreville – Study of a man at the balustrade
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a man at the balustrade for Amore: discorso primo • 1923 ca. Charcoal and white lead on grey paper, 253 × 125 mm Signed lower center: “L. Dudreville”
Giovanni Costetti – Portrait of Emil Zoir
Giovanni Costetti Reggio Emilia 1874 – Settignano 1949 Portrait of Emil Zoir (Göteborg 1867 – 1936) • 1892 Tempera, watercolor and black ink on olive green paper, 253 × 165 mm Titled and signed upper left: “PEINTRE Emile Zoir / G Costetti f.”
Francesco Podesti – Bathsheba in the bath
Francesco Podesti Ancona 1800 – Rome 1895 Bathsheba in the bath • 1830 ca. Graphite and brush ink on paper, 208 Ă— 290 mm Signed lower left: “Francesco Podesti” Â
Pietro Benvenuti – Studies for Homeric Scenes
Pietro Benvenuti Arezzo 1769 – Florence 1844 Studies for Briseis Delivered to the Heralds of Agamemnon and for a Homeric Battle (recto) Study for a Homeric Battle (verso) • 1825 Pencil on paper, 441 × 308 mm Dated on the recto: “23 7bre 1825”
Bartolomeo Pinelli – Remains of the Temple of Mars in the Forum Transitorium
Bartolomeo Pinelli Rome 1781 – 1835 Remains of the Temple of Mars in the Forum Transitorium • 1820 ca. Iron gall ink and brown wash, 545 × 905 mm Titled lower right: “AVANZO DEL TEMPIO DI MARTE NEL FORO TRANSITORIO”
Luigi Brenta – Political Allegory
Luigi Brenta Active in Milan first quarter 19th century Political allegory with the Griffin replacing the She-Wolf in the presence of Minerva, a River, History, Cupids and other divine figures • 1810-20 ca. Brown ink on ivory paper, 414 × 303 mm
Giuseppe Bossi – Three figures in classical dress, sleeping under a column
Giuseppe Bossi Castel Guelfo 1774 – Bologna 1843 Three figures in classical dress, sleeping under a column • 1810 ca. Pencil, pen and brown ink, gray watercolor on paper, 178 Ă— 264 mm Inscribed lower left in pencil: “Bossi” Inscribed on the back in pencil: “Cav. Giuseppe Bossi” Â