Giacomo Balla Turin 1871 – Rome 1958 Cover for the magazine “Il Rogo” – sketch• 1918-20 Ink on black cardboard, 200 × 136 mm Signed upper left: “BALLA” Provenance: Balla Home, Rome (Agenda: n. 1181 Drawing for the cover of the magazine “Il Rogo” 1914 red in on paper signed upper left cm 20 ×…
Vincenzo Gemito Naples 1852 – 1929 Portrait of Painter at Work • 1915 ca. Pencil on brown paper, 385 × 297 mm Signed lower right: “V. Gemito” Provenance: Navarra collection
Vincenzo Gemito Naples 1852 – 1929 Study of a Naked Young Boy • 1915 Pen and charcoal on brown paper, 465 × 252 mm Signed and dated lower center, in pen: “Gemito 1915” Provenance: Navarra collection
Tommaso Minardi Faenza 1787 – Rome 1871 Study from life for the Head of Saint John the Evangelist for the Fresco of Propagation of Christianity, Quirinal Palace, Throne Room, today of the Ambassador • 1848 ca. Black pencil with white highlight on light blue paper, 510 x 397 mm Provenance: Rome, private collection
Gianfranco Ferroni Livorno 1927 – Bergamo 2001 Still life with hanging rag • 1980 Pencils on photographic paper, 240 × 178 mm
Umberto Cuzzi Parenzo, Istria 1891 – Turin 1973 Progetto per il Chiosco della Penna Aurora: pianta, prospetto frontale e laterale • 1928 Matita, matite colorate su carta avana, 226 × 284 mm Bibliografia: Ezio Godoli, Città, architettura e ambientazioni, in Futurismo 1909-1944 arte, architettura, spettacolo, letteratura, pubblicità, catalogo della mostra, Roma, Palazzo delle Esposizioni, a…
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a sailor from behind for Amore: discorso primo • 1923 Charcoal on brown paper, 332 × 220 mm Signed and dated lower left: “L. Dudreville, / 923”
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a man at the balustrade for Amore: discorso primo • 1923 ca. Charcoal and white lead on grey paper, 253 × 125 mm Signed lower center: “L. Dudreville”
Giovanni Costetti Reggio Emilia 1874 – Settignano 1949 Portrait of Emil Zoir (Göteborg 1867 – 1936) • 1892 Tempera, watercolor and black ink on olive green paper, 253 × 165 mm Titled and signed upper left: “PEINTRE Emile Zoir / G Costetti f.”
Francesco Podesti Ancona 1800 – Rome 1895 Bathsheba in the bath • 1830 ca. Graphite and brush ink on paper, 208 × 290 mm Signed lower left: “Francesco Podesti”