Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a man at the balustrade for Amore: discorso primo • 1923 ca. Charcoal and white lead on grey paper, 253 × 125 mm Signed lower center: “L. Dudreville”
Giovanni Costetti Reggio Emilia 1874 – Settignano 1949 Portrait of Emil Zoir (Göteborg 1867 – 1936) • 1892 Tempera, watercolor and black ink on olive green paper, 253 × 165 mm Titled and signed upper left: “PEINTRE Emile Zoir / G Costetti f.”
Francesco Podesti Ancona 1800 – Rome 1895 Bathsheba in the bath • 1830 ca. Graphite and brush ink on paper, 208 Ă— 290 mm Signed lower left: “Francesco Podesti” Â
Pietro Benvenuti Arezzo 1769 – Florence 1844 Studies for Briseis Delivered to the Heralds of Agamemnon and for a Homeric Battle (recto) Study for a Homeric Battle (verso) • 1825 Pencil on paper, 441 × 308 mm Dated on the recto: “23 7bre 1825”
Bartolomeo Pinelli Rome 1781 – 1835 Remains of the Temple of Mars in the Forum Transitorium • 1820 ca. Iron gall ink and brown wash, 545 × 905 mm Titled lower right: “AVANZO DEL TEMPIO DI MARTE NEL FORO TRANSITORIO”
Luigi Brenta Active in Milan first quarter 19th century Political allegory with the Griffin replacing the She-Wolf in the presence of Minerva, a River, History, Cupids and other divine figures • 1810-20 ca. Brown ink on ivory paper, 414 × 303 mm
Giuseppe Bossi Castel Guelfo 1774 – Bologna 1843 Three figures in classical dress, sleeping under a column • 1810 ca. Pencil, pen and brown ink, gray watercolor on paper, 178 Ă— 264 mm Inscribed lower left in pencil: “Bossi” Inscribed on the back in pencil: “Cav. Giuseppe Bossi” Â
Antonio Basoli Castel Guelfo 1774 – Bologna 1843 The facade of Villa Aldrovandi Mazzacorati seen from the portico • 1800 ca. Graphite, watercolor and gouache on paper, 423 Ă— 493 mm Bibliography: Alessandra Frabetti, Deanna Lenzi, Villa Aldrovandi Mazzacorati. Momenti del neoclassico tra Camaldoli e Belpoggio, with an introduction essay by Anna Maria Matteucci, Bologna…
Luigi Sabatelli Florence 1772 – Milan 1850 Studies of Classical Figures in Battle (recto) Studies of Medieval Figures in Battle; View of Piazza della Signoria; Caricatures and Views of Palazzo Pitti and Santa Maria del Fiore (verso) • 1815 ca. Black ink pen, brown ink pen on paper, 197 × 263 mm
Luigi Sabatelli Florence 1772 – Milan 1850 Self-portrait, various studies of classical subjects, Judgement of Paris (recto) Studies of figures in battle, various studies of classical subjects (verso) • 1800 ca. Brown ink on ivory paper, 278 × 395 mm
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