Manuel Olivé (Oliver), model Active in Rome and Barcellona, documented from 1786 to 1802 Francesco Righetti, bronze cast Rome 1749-1819 The Farnese Hercules • 1786 Bronze, h 76.5 cm Signed and dated lower back: “MOlive / 1786” The Farnese Hercules has held an extraordinary fascination for generations of artist, travellers and collectors, and for eighteenth…
Giacinto Gigante Naples 1806 – 1876 Landscape of Bacoli from i fondi di Baia • 1844 Oil on paper on plywood, 40 x 61,5 cm Bottom left: 30 8bre 1844/G.Gigante Bibliography: Mostra di G.Gigante/luglio- Settembre 1928/ Elenco delle pitture raccolte e ordinate per cura dell’ispettore prof. S. Ortolani, Napoli [Villa Floridiana] 1928 p. 14, n.…
Vincenzo Camuccini Rome 1771 – 1844 The Death of Porzia • 1824 ca. Oil on canvas, 42.5 x 64.5 cm The episode portrayed in this sketch by Vincenzo Camuccini is taken from the history of Rome in the Republican era, an inexhaustible reservoir of exemplary acts of civil and moral virtue, to which painters in…
Luigi Manfredini Bologna 1771 – Milan 1840 Antonio Manfredini (?) – Milan 1838 Tripod Basin Holder • 1811-14 Gilded bronze and lapis lazuli, 80 x 39 cm Basin in gilded bronze, modern The tripod, designed as a support for a bowl, is part of a group of pieces of furniture of the same shape and…
Giacinto Diano Pozzuoli 1731 – Naples 1803 Presentation of Jesus at the Temple («macchia» for the canvas in the left Cappellone of the church of Santa Maria Incoronatella della Pietà dei Turchini in Naples) • 1780-81 Oil on canvas, 101,5 x 69,5 cm
Gianfranco Ferroni Livorno 1927 – Bergamo 2001 Still life with hanging rag • 1980 Pencils on photographic paper, 240 × 178 mm
Umberto Cuzzi Parenzo, Istria 1891 – Turin 1973 Progetto per il Chiosco della Penna Aurora: pianta, prospetto frontale e laterale • 1928 Matita, matite colorate su carta avana, 226 × 284 mm Bibliografia: Ezio Godoli, Città, architettura e ambientazioni, in Futurismo 1909-1944 arte, architettura, spettacolo, letteratura, pubblicità, catalogo della mostra, Roma, Palazzo delle Esposizioni, a…
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a sailor from behind for Amore: discorso primo • 1923 Charcoal on brown paper, 332 × 220 mm Signed and dated lower left: “L. Dudreville, / 923”
Leonardo Dudreville Venice 1885 – Ghiffa 1976 Study of a man at the balustrade for Amore: discorso primo • 1923 ca. Charcoal and white lead on grey paper, 253 × 125 mm Signed lower center: “L. Dudreville”
Giovanni Costetti Reggio Emilia 1874 – Settignano 1949 Portrait of Emil Zoir (Göteborg 1867 – 1936) • 1892 Tempera, watercolor and black ink on olive green paper, 253 × 165 mm Titled and signed upper left: “PEINTRE Emile Zoir / G Costetti f.”