{"id":9113,"date":"2020-07-01T18:37:54","date_gmt":"2020-07-01T16:37:54","guid":{"rendered":"https:\/\/www.carlovirgilio.it\/?post_type=opera&#038;p=9113"},"modified":"2023-11-28T12:59:05","modified_gmt":"2023-11-28T10:59:05","slug":"laura-bellini-portrait-of-a-man","status":"publish","type":"opera","link":"https:\/\/www.carlovirgilio.it\/en\/opera\/laura-bellini-portrait-of-a-man\/","title":{"rendered":"Laura Bellini\u00a0&#8211; Portrait\u00a0of a Man"},"content":{"rendered":"<p style=\"text-align: justify;\"><a class=\"dt-single-image\" href=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-scaled.jpg\" data-dt-img-description=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9114\" src=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-236x300.jpg\" alt=\"Bellini: forse ritratto del marito\" width=\"236\" height=\"300\" srcset=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-236x300.jpg?v=1593673963 236w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-805x1024.jpg?v=1593673963 805w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-768x977.jpg?v=1593673963 768w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-1208x1536.jpg?v=1593673963 1208w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-1610x2048.jpg?v=1593673963 1610w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/07\/20-A-9305267-jpg-Copia-scaled.jpg?v=1593673963 2013w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Laura Bellini<\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">(Ancona 1915-Rome 1976)<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><i><span data-contrast=\"auto\">Portrait<\/span><\/i><i><span data-contrast=\"auto\">\u00a0of a Man<\/span><\/i><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Oil on panel, 50.5\u00a0<\/span><span data-contrast=\"auto\">\u00d7<\/span><span data-contrast=\"auto\">\u00a040 cm<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Provenance: Rome, private collection<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">A rare work by this artist, considered one of the last exponents of the Roman School. Contributing to the Mayoral exhibitions of the years 1937, 1938 and 1940 as well as the\u00a0<\/span><span data-contrast=\"auto\">Quadriennale<\/span><span data-contrast=\"auto\">\u00a0of 1939 (Renato Breda,\u00a0<\/span><i><span data-contrast=\"auto\">1890-1940.\u00a0<\/span><\/i><i><span data-contrast=\"auto\">Artisti<\/span><\/i><i><span data-contrast=\"auto\">\u00a0e\u00a0<\/span><\/i><i><span data-contrast=\"auto\">Mostre<\/span><\/i><i><span data-contrast=\"auto\">.\u00a0<\/span><\/i><i><span data-contrast=\"auto\">Repertorio<\/span><\/i><i><span data-contrast=\"auto\">\u00a0di\u00a0<\/span><\/i><i><span data-contrast=\"auto\">pittori<\/span><\/i><i><span data-contrast=\"auto\">\u00a0e\u00a0<\/span><\/i><i><span data-contrast=\"auto\">incisori<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><i><span data-contrast=\"auto\">italiani<\/span><\/i><i><span data-contrast=\"auto\">\u00a0in\u00a0<\/span><\/i><i><span data-contrast=\"auto\">esposizioni<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><i><span data-contrast=\"auto\">nazionali<\/span><\/i><span data-contrast=\"auto\">, Rome 2001, p. 60;\u00a0<\/span><span data-contrast=\"auto\">Marco\u00a0<\/span><span data-contrast=\"auto\">Severini<\/span><span data-contrast=\"auto\">,\u202f<\/span><i><span data-contrast=\"auto\">Bellini, Laura<\/span><\/i><span data-contrast=\"auto\">, in\u202f<\/span><i><span data-contrast=\"auto\">Dizionario<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><i><span data-contrast=\"auto\">biografico<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><i><span data-contrast=\"auto\">delle<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><i><span data-contrast=\"auto\">donne<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><i><span data-contrast=\"auto\">marchigiane<\/span><\/i><i><span data-contrast=\"auto\">, 1815-2018<\/span><\/i><span data-contrast=\"auto\">, ed. by L.\u00a0<\/span><span data-contrast=\"auto\">Pupilli<\/span><span data-contrast=\"auto\">, M.\u00a0<\/span><span data-contrast=\"auto\">Severini<\/span><span data-contrast=\"auto\">, Ancona 2018, pp. 32 ss.<\/span><span data-contrast=\"auto\">), Bellini\u2019s work was described as follows by Lorenza\u00a0<\/span><span data-contrast=\"auto\">Trucchi<\/span><span data-contrast=\"auto\">, writing for example in\u00a0<\/span><i><span data-contrast=\"auto\">Momento<\/span><\/i><i><span data-contrast=\"auto\">\u00a0Sera\u00a0<\/span><\/i><span data-contrast=\"auto\">(24 April 1966): \u201cthere is an inevitable reference to the Roman School of which this painter is, in a certain sense, one of the last heirs:\u00a0<\/span><span data-contrast=\"auto\">Mafai<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">Scipione<\/span><span data-contrast=\"auto\">\u00a0and the first dazzling expressionist\u00a0<\/span><span data-contrast=\"auto\">Gentilini<\/span><span data-contrast=\"auto\">, are somewhat ideal masters of this painting heightened by romantic flashes and chromatic frenzy well adapted to render the climate of an eternally baroque Rome, lifted by the reddish light of her fiery sunsets.\u201d Then in 1998, recalling her link with the painter Orfeo\u00a0<\/span><span data-contrast=\"auto\">Tamburi<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">Trucchi<\/span><span data-contrast=\"auto\">\u00a0again underlined her use of expression in the Roman School, \u201cof which her baroque-style and magmatic painting was a successful if extreme example.\u201d\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Very likely earlier, by quite some time, than these quotations, the painting presented here is chronologically in harmony with the sources mentioned, around the mid-thirties, for its\u00a0<\/span><span data-contrast=\"auto\">materic<\/span><span data-contrast=\"auto\">\u00a0and earthy aspect, recalling\u00a0<\/span><span data-contrast=\"auto\">Mafai<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">Scipione<\/span><span data-contrast=\"auto\">\u00a0but also\u00a0<\/span><span data-contrast=\"auto\">Carena<\/span><span data-contrast=\"auto\">, however with a specific visual vagueness in the brushstrokes that captures the real, underlining the sentimental languor of a modern figure, shown in the classical iconography of melancholy by the hand supporting the head.<\/span><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Laura Bellini (Ancona 1915-Rome 1976)\u00a0 Portrait\u00a0of a Man\u00a0 Oil on panel, 50.5\u00a0\u00d7\u00a040 cm\u00a0 Provenance: Rome, private collection\u00a0 \u00a0 A rare work by this artist, considered one of the last exponents of the Roman School. Contributing to the Mayoral exhibitions of the years 1937, 1938 and 1940 as well as the\u00a0Quadriennale\u00a0of 1939 (Renato Breda,\u00a01890-1940.\u00a0Artisti\u00a0e\u00a0Mostre.\u00a0Repertorio\u00a0di\u00a0pittori\u00a0e\u00a0incisori\u00a0italiani\u00a0in\u00a0esposizioni\u00a0nazionali, Rome 2001,&hellip;<\/p>\n","protected":false},"featured_media":9115,"template":"","autore":[386],"tipologia_opera":[81],"ambito_opera":[82],"data_opera":[356],"disponibilita_opera":[480],"titolo_mostra":[362],"tag_mostra":[363],"class_list":["post-9113","opera","type-opera","status-publish","has-post-thumbnail","hentry","autore-laura-bellini-1925-1976","tipologia_opera-opere-mostre-en","ambito_opera-pittura-en","data_opera-356","disponibilita_opera-non-disponibile","titolo_mostra-law-digital-summer-2020","tag_mostra-law-digital-summer-2020","description-off"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/opera\/9113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/media\/9115"}],"wp:attachment":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/media?parent=9113"}],"wp:term":[{"taxonomy":"autore","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/autore?post=9113"},{"taxonomy":"tipologia_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/tipologia_opera?post=9113"},{"taxonomy":"ambito_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/ambito_opera?post=9113"},{"taxonomy":"data_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/data_opera?post=9113"},{"taxonomy":"disponibilita_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/disponibilita_opera?post=9113"},{"taxonomy":"titolo_mostra","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/titolo_mostra?post=9113"},{"taxonomy":"tag_mostra","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/tag_mostra?post=9113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}