{"id":9098,"date":"2020-07-01T15:15:42","date_gmt":"2020-07-01T13:15:42","guid":{"rendered":"https:\/\/www.carlovirgilio.it\/?post_type=opera&#038;p=9098"},"modified":"2020-09-09T17:06:33","modified_gmt":"2020-09-09T15:06:33","slug":"piero-marussig-interior-with-masks-and-self-portrait","status":"publish","type":"opera","link":"https:\/\/www.carlovirgilio.it\/en\/opera\/piero-marussig-interior-with-masks-and-self-portrait\/","title":{"rendered":"Piero\u00a0Marussig\u00a0&#8211; Interior with Masks (and Self-Portrait)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a class=\"dt-single-image\" href=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-scaled.jpg\" data-dt-img-description=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9027\" src=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-270x300.jpg\" alt=\"Marussig: maschere e autoritratto\" width=\"270\" height=\"300\" srcset=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-270x300.jpg?v=1593464895 270w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-921x1024.jpg?v=1593464895 921w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-768x854.jpg?v=1593464895 768w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-1382x1536.jpg?v=1593464895 1382w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/12.-A-9305217-jpg-1843x2048.jpg?v=1593464895 1843w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><\/p>\n<p><b><span data-contrast=\"auto\">Piero <\/span><\/b><b><span data-contrast=\"auto\">Marussig<\/span><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Trieste 1879-Pavia 1937<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"auto\">Interior with Masks (and Self-Portrait)<\/span><\/i><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">1925<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Oil on panel, 49.8 <\/span><span data-contrast=\"auto\">\u00d7<\/span><span data-contrast=\"auto\">\u00a044.9 cm<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Signed:\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">P.\u00a0<\/span><span data-contrast=\"auto\">Marussig<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Provenance<\/span><span data-contrast=\"auto\">: Padua, private\u00a0<\/span><span data-contrast=\"auto\">collection<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Bibliography<\/span><span data-contrast=\"auto\">: Alessandra Tiddia,\u202f<\/span><i><span data-contrast=\"auto\">Pietro\u00a0<\/span><\/i><i><span data-contrast=\"auto\">Marussig<\/span><\/i><span data-contrast=\"auto\">, Trieste, 2015,\u00a0<\/span><span data-contrast=\"auto\">cat<\/span><span data-contrast=\"auto\">. 410.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Internationally trained painter,\u00a0<\/span><span data-contrast=\"auto\">Marussig<\/span><span data-contrast=\"auto\">\u00a0studied in Vienna, Munich,\u00a0<\/span><span data-contrast=\"auto\">Rome<\/span><span data-contrast=\"auto\">\u00a0and Paris and took part in all the most important collective exhibitions of his time in Italy and abroad. Influenced by the\u00a0<\/span><i><span data-contrast=\"auto\">Jugendstil\u00a0<\/span><\/i><span data-contrast=\"auto\">\u2013 Franz von Stuck was among his tutors at the Munich Academy \u2013 initially he expresses himself in darker tones and gruelling atmospheres, to then, between Rome and Paris, mitigate the brutalities by filtering them through contact with classicism, impressionism and post impressionism. In France<\/span><span data-contrast=\"auto\">, in particular, he<\/span><span data-contrast=\"auto\">\u00a0delves into the\u00a0<\/span><i><span data-contrast=\"auto\">Nabis<\/span><\/i><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><span data-contrast=\"auto\">and Gauguin as well as C\u00e9zanne and Matisse, all of which, when returning to Italy, he blends into his own expressive language that he shows to be mature soon after 1910. It is an intellectual and highly restrained painting expressed through a palette of anti-naturalistic shades applied\u00a0<\/span><i><span data-contrast=\"auto\">\u00e0 plat<\/span><\/i><span data-contrast=\"auto\">\u00a0and enclosed in marked outlines in black. From 1920, having moved to Milan, the chromatic ascents are tempered in favour of hotter and more naturalistic tones and, especially in the portrait, the painter reaches the heights of a deep and\u00a0<\/span><span data-contrast=\"auto\">unsettled intimacy. This\u00a0<\/span><i><span data-contrast=\"auto\">Interior with Masks<\/span><\/i><span data-contrast=\"auto\">\u00a0is also\u00a0<\/span><i><span data-contrast=\"auto\">sui generis<\/span><\/i><span data-contrast=\"auto\">, where the male face is the\u00a0<\/span><i><span data-contrast=\"auto\">Self-Portrait<\/span><\/i><span data-contrast=\"auto\">\u00a0in plaster dated 1913, from time of the artist\u2019s brief excursion into the field of plastic, which was sold at auction by\u00a0<\/span><span data-contrast=\"auto\">Finarte<\/span><span data-contrast=\"auto\">\u00a0in 2018. Whereas the painting is datable to 1925, the year when some masks, of which the smaller, female mask is one, reappear several times in still\u00a0<\/span><span data-contrast=\"auto\">lifes<\/span><span data-contrast=\"auto\">. Particularly enigmatic in atmosphere, accentuated by the mute and significant presence of objects and the frame on the wall being slightly out of square, this still life evokes further research into the rational purity of space, reducing to the essential the game of volumes, and that of strongly controlled introspective and spiritual depth.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Piero Marussig\u00a0 Trieste 1879-Pavia 1937\u00a0 Interior with Masks (and Self-Portrait)\u00a0 1925\u00a0 Oil on panel, 49.8 \u00d7\u00a044.9 cm\u00a0 Signed:\u00a0\u201cP.\u00a0Marussig\u201d\u00a0 Provenance: Padua, private\u00a0collection\u00a0 Bibliography: Alessandra Tiddia,\u202fPietro\u00a0Marussig, Trieste, 2015,\u00a0cat. 410.\u00a0 \u00a0 Internationally trained painter,\u00a0Marussig\u00a0studied in Vienna, Munich,\u00a0Rome\u00a0and Paris and took part in all the most important collective exhibitions of his time in Italy and abroad. Influenced by the\u00a0Jugendstil\u00a0\u2013&hellip;<\/p>\n","protected":false},"featured_media":9028,"template":"","autore":[379],"tipologia_opera":[96],"ambito_opera":[82],"data_opera":[380],"disponibilita_opera":[],"titolo_mostra":[362],"tag_mostra":[363],"class_list":["post-9098","opera","type-opera","status-publish","has-post-thumbnail","hentry","autore-piero-marussig-1879-1937","tipologia_opera-recent-sells","ambito_opera-pittura-en","data_opera-380","titolo_mostra-law-digital-summer-2020","tag_mostra-law-digital-summer-2020","description-off"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/opera\/9098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/media\/9028"}],"wp:attachment":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/media?parent=9098"}],"wp:term":[{"taxonomy":"autore","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/autore?post=9098"},{"taxonomy":"tipologia_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/tipologia_opera?post=9098"},{"taxonomy":"ambito_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/ambito_opera?post=9098"},{"taxonomy":"data_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/data_opera?post=9098"},{"taxonomy":"disponibilita_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/disponibilita_opera?post=9098"},{"taxonomy":"titolo_mostra","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/titolo_mostra?post=9098"},{"taxonomy":"tag_mostra","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/tag_mostra?post=9098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}