{"id":8894,"date":"2020-06-10T16:42:33","date_gmt":"2020-06-10T14:42:33","guid":{"rendered":"https:\/\/www.carlovirgilio.it\/?post_type=opera&#038;p=8894"},"modified":"2023-11-28T13:00:20","modified_gmt":"2023-11-28T11:00:20","slug":"luigi-galli-evil-clinging-to-humanity","status":"publish","type":"opera","link":"https:\/\/www.carlovirgilio.it\/en\/opera\/luigi-galli-evil-clinging-to-humanity\/","title":{"rendered":"Luigi Galli &#8211; Evil Clinging to Humanity"},"content":{"rendered":"<p style=\"text-align: justify;\"><a class=\"dt-single-image\" href=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-scaled.jpg\" data-dt-img-description=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-8895\" src=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-194x300.jpg\" alt=\"Luigi Galli: Il Male che stringe l'Umanit\u00e0\" width=\"194\" height=\"300\" srcset=\"https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-194x300.jpg?v=1593465408 194w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-662x1024.jpg?v=1593465408 662w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-768x1189.jpg?v=1593465408 768w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-992x1536.jpg?v=1593465408 992w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-1323x2048.jpg?v=1593465408 1323w, https:\/\/www.carlovirgilio.it\/wp-content\/uploads\/2020\/06\/5.-Galli-A-9304671-jpg-scaled.jpg?v=1593465408 1654w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a>Luigi Galli<\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">(Milan 1820-Rom<\/span><span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\">\u00a0190<\/span><span data-contrast=\"auto\">0<\/span><span data-contrast=\"auto\">)<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><i><span data-contrast=\"auto\">Evil Clinging to Humanity<\/span><\/i><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">C<\/span><span data-contrast=\"auto\">irca\u00a0<\/span><span data-contrast=\"auto\">18<\/span><span data-contrast=\"auto\">85<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">O<\/span><span data-contrast=\"auto\">il on canvas<\/span><span data-contrast=\"auto\">, 60\u00a0<\/span><span data-contrast=\"auto\">\u00d7<\/span><span data-contrast=\"auto\">\u00a039<\/span><span data-contrast=\"auto\">\u00a0cm<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Proven<\/span><span data-contrast=\"auto\">ance<\/span><span data-contrast=\"auto\">: Rom<\/span><span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0private collection<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Ini<\/span><span data-contrast=\"auto\">t<\/span><span data-contrast=\"auto\">iat<\/span><span data-contrast=\"auto\">ed<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">to the plastic neoclassicism of\u00a0<\/span><span data-contrast=\"auto\">Luigi Sabatelli\u00a0<\/span><span data-contrast=\"auto\">and aware of the developments of European painting<\/span><span data-contrast=\"auto\">, in part<\/span><span data-contrast=\"auto\">i<\/span><span data-contrast=\"auto\">c<\/span><span data-contrast=\"auto\">u<\/span><span data-contrast=\"auto\">lar<\/span><span data-contrast=\"auto\">\u00a0in<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">Fr<\/span><span data-contrast=\"auto\">ance<\/span><span data-contrast=\"auto\">\u00a0&#8211;\u00a0<\/span><span data-contrast=\"auto\">above all\u00a0<\/span><span data-contrast=\"auto\">Millet\u00a0<\/span><span data-contrast=\"auto\">and<\/span><span data-contrast=\"auto\">\u00a0Courbet \u2013\u00a0<\/span><span data-contrast=\"auto\">and Engl<\/span><span data-contrast=\"auto\">and<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">\u2013\u00a0<\/span><span data-contrast=\"auto\">wher<\/span><span data-contrast=\"auto\">e George Frederic Watts\u00a0<\/span><span data-contrast=\"auto\">is his main point of reference<\/span><span data-contrast=\"auto\">\u00a0-,\u00a0<\/span><span data-contrast=\"auto\">he develops his own particular variation of the romantic symbolist\u00a0<\/span><span data-contrast=\"auto\">atmos<\/span><span data-contrast=\"auto\">ph<\/span><span data-contrast=\"auto\">er<\/span><span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0enveloping it in elements<\/span><span data-contrast=\"auto\">\u00a0that are dark,<\/span><span data-contrast=\"auto\">\u00a0s<\/span><span data-contrast=\"auto\">oftened<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">and vaguely melancholy<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">drawing on the Nordic and Lombard\u00a0<\/span><span data-contrast=\"auto\">tradi<\/span><span data-contrast=\"auto\">t<\/span><span data-contrast=\"auto\">ion,\u00a0<\/span><span data-contrast=\"auto\">and leaving it to resound with pagan echoes of luxury elegance and decadence, markedly evident in the voluptuousness of the female nudes<\/span><span data-contrast=\"auto\">.<\/span><span data-contrast=\"auto\">\u00a0An anticipatory instance of German symbolism<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">can also be seen\u00a0<\/span><span data-contrast=\"auto\">here\u00a0<\/span><span data-contrast=\"auto\">in\u00a0<\/span><span data-contrast=\"auto\">Ev<\/span><span data-contrast=\"auto\">e who<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0taking on the pain of humanity<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0tries to defend herself from the coils of a voluminous serpent<\/span><span data-contrast=\"auto\">.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luigi Galli (Milan 1820-Rome\u00a01900)\u00a0 Evil Clinging to Humanity\u00a0 Circa\u00a01885\u00a0 Oil on canvas, 60\u00a0\u00d7\u00a039\u00a0cm\u00a0\u00a0 Provenance: Rome,\u00a0private collection\u00a0\u00a0 \u00a0 Initiated\u00a0to the plastic neoclassicism of\u00a0Luigi Sabatelli\u00a0and aware of the developments of European painting, in particular\u00a0in\u00a0France\u00a0&#8211;\u00a0above all\u00a0Millet\u00a0and\u00a0Courbet \u2013\u00a0and England\u00a0\u2013\u00a0where George Frederic Watts\u00a0is his main point of reference\u00a0-,\u00a0he develops his own particular variation of the romantic symbolist\u00a0atmosphere,\u00a0enveloping it in elements\u00a0that&hellip;<\/p>\n","protected":false},"featured_media":8896,"template":"","autore":[352],"tipologia_opera":[81],"ambito_opera":[82],"data_opera":[353],"disponibilita_opera":[480],"titolo_mostra":[],"tag_mostra":[],"class_list":["post-8894","opera","type-opera","status-publish","has-post-thumbnail","hentry","autore-luigi-galli-1820-1900","tipologia_opera-opere-mostre-en","ambito_opera-pittura-en","data_opera-353","disponibilita_opera-non-disponibile","description-off"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/opera\/8894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/media\/8896"}],"wp:attachment":[{"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/media?parent=8894"}],"wp:term":[{"taxonomy":"autore","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/autore?post=8894"},{"taxonomy":"tipologia_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/tipologia_opera?post=8894"},{"taxonomy":"ambito_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/ambito_opera?post=8894"},{"taxonomy":"data_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/data_opera?post=8894"},{"taxonomy":"disponibilita_opera","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/disponibilita_opera?post=8894"},{"taxonomy":"titolo_mostra","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/titolo_mostra?post=8894"},{"taxonomy":"tag_mostra","embeddable":true,"href":"https:\/\/www.carlovirgilio.it\/en\/wp-json\/wp\/v2\/tag_mostra?post=8894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}